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The World in Place of ItselfBill RasmoviczThis hypnotic, neo-baroque debut reads like transcribed fever dreams, employing elements of film noir and surrealism. Observing from an unexpected angle of perception and with absorbing physical and metaphysical detail, Rasmovicz plumbs the world ghosting this one, exposing the true nature of the unconsciousa superconscious whose language is startlingly apt imagery and ecstatic description. "This passionate debut from New York City–based Rasmovicz places him on an unfamiliar border, between the haunted generalities of Franz Wright and the hunted, bomb-damaged villages of Charles Simic."
"Bill Rasmovicz gives us the world in fine detail. City life, shoreline, night, loss and its shadow, desirethese come to us through an intelligence fully attuned to metaphor’s striking shifts from sight to insight. This is lyric poetry at its best, fully accomplished, probing, deeply felt, with delicate wit and languageoh the language!stunning enough to pass Miss Dickinson’s test."
"The clear intensity of the visionary requires stillness, not high speeds. And there is a restlessness at the heart of such stillness that Bill Rasmovicz’s first book gets at more exquisitelywith a voice that can bear itthan any I’ve read in years. His surreal practices are humanizing faith-keepings with the metamorphic, the elemental, the actual."
"Incredibly moving and smart, this book is indeed a world in place of itself, and more, in place of the world we thought we knew. With stunning metaphors, fast paced leaps and tone shifts within a seamless art, we discover new ways of seeing at almost every line, a palimpsest of visions in every poem of this fabulous book."
about the author
Author photo by K. Erickson two poems from the world in place of itself
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