|
|
|||
|
|
||||
![]() |
|
King BabyLia PurpuraThis award-winning poet's third collection tells a quasi-creation story through petitions, addresses and conversations. King Baby is a cycle of lyric poems both inspired by and addressed to a found object made animate—then made into a confessor—by the poet's fascination, and by a love that alternates between the familial, obsessive and devotional. "Purpura's charming [third collection]...captures both the fierce love and the flighty weirdness of life with a baby, opting always for the symbolic and the surprising over the literal record..."
"This book-length sequence is reminiscent of poems by Pulitzer Prize-winning poet Louise Glück, with its hypnotic voice and its otherworldly reach."
"In King Baby...Purpura uses the physical as a conduit to the metaphysical; and circles this found fetish in ever-more-incisive gyres, to probe the never-satisfied nature of human yearning...She is particularly effective at distilling those elusive slithers of creative clarity we sometimes experience in our daily lives...Purpura is a wordsmith of the highest order..."
"The poems are exquisitely tender and reverent, each temporarily holding emptiness in place with images and stories, each looking for something that can stand for holiness."
"The poems in King Baby are both folk tales and found objects: every line reaches the page like Pushkin's talking goldfish. A child's discovery of a hand-carved totem frees Purpura from the daily rounds of semiotics. Like the Swedish poet Gunnar Ekelof's work, every poem in this collection reminds us that we are each still newly placed among the living."
"'The story of your creation starts/with a force that wanted something,' Lia Purpura writes, 'and worked to see if you were it.' A myth of motherhood, a parable of artistic creation, a suite of hymns to an ambiguous emblem, this compelling, Orphic sequence pushes deeply into its chosen vehicle, seeking the difference between song and hunger."
about the author
two poems from king baby
|
||